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Old 10-03-2010, 11:30 AM   #61
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Default Third century groups....

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Originally Posted by Toto
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Originally Posted by mountainman
...
So the question may now become how many Jewish-Hellenistic religions were there. The answers to these questions do not miraculously point to "christianity" as a sole contender.
Name one other than Christianity
1. Jewish Christianity Reconsidered (or via: amazon.co.uk), edited by Matt Jackson McCabe, Fortress Press, 2007, Minneapolis, page 85:
Quote:
Originally Posted by Petri Luomanen
...These questions, which tap into the border marking of communities, are particularly significant in the case of the Ebionites and the Nazarenes, ....
2. Ancient Judaism and Christian Origins (or via: amazon.co.uk) by George W.E. Nickelsburg, Fortress Press, 2003, Minneapolis, page 183:
Quote:
At best, we can say that early Christianity arose in a wing of apocalyptic Judaism that was also inhabited by later Enochic Judaism, John the Baptist, and the Qumran community.
3. Judaism in the Beginnings of Christianity (or via: amazon.co.uk) by Jacob Neusner, Fortress Press, 1984, Philadelphia
Quote:
The Bathyrans were Babylonian Jewish immigrants who came at the time of Herod and were settled in frontier regions, northeast of the Sea of Galilee, to protect the border. ...
Hmm. northeast of Lake Galilee, gosh, sounds a lot like Dura Europos' location--sort of midway between Babylon and Palestine, right?


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Old 10-03-2010, 12:03 PM   #62
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Christians were inherently metaphorical in their use of images from the Hebrew religion. David has always been a symbol of the line of messianism and thus a precursor to Jesus. The slaying of Goliath here is symbolic and to underline the fact, the image above is of the garden of paradise. Goliath in this context is a representation of the world that christians must overcome, that David has overcome.
Is that what you think about the oft quoted phrase: "seed of David"? The former King of the Jews was only a symbol, not a biological ancestor of Jesus? I am not asking what YOU believe, but what you think the authors of the New Testament were teaching?

I disagree with your analysis. I think your interpretation is quite brilliant, in fact, and not at all wrong. I just don't picture a bunch of illiterate shepherds, farmers, and neer do well's understanding such intricate concepts. Maybe I underestimate the brilliance of those sitting around the campfire, watching out for wolves and thieves, listening to various stories. Your thesis sounds more like something that could have been discussed by a group of scholars sitting around a cocktail table at some conference.....

Maybe that's exactly what the "christians" living in Dura Europos were thinking: Yeah, we are like tiny David, against the huge Persian Army. But, if we overcome them, then we can attain heaven, because there is a scene of agrarian tranquility painted above our forthcoming joust with the Persians. That scene represents Heaven. Although, come to think of it, even if we don't overcome the Persian army tomorrow, we are still going to die, defending the city, for we are outnumbered 100:1.

Does spin's interpretation of D&G imply that failure to conquer the Persian army, condemns the defenders of Dura Europos to eternal damnation? Can they only attain the pearly gates if the military conquest by the Persians is defeated, as was Goliath?

You have not addressed my fundamental point: The "house-church" at Dura Europos was built more than a century prior to its eventual burial in preparation for the unsuccessful defense of the city against the siege by the Persian Army. During that century, why couldn't multiple people have occupied the dwelling, using it for different purposes, and with different ideologies governing their inspiration to paint? Why couldn't D&G represent a painting originally inspired simply to pay homage to one of Judaism's famous stories? Do you mean to imply, spin, that Jews themselves, do not represent David and Goliath, in artistic endeavors? Does the religion itself forbid this artistic pursuit? Why couldn't the "christian" newcomers to the house, if indeed they were "christian", have retained the former decorations, and added some of their own? Why must all of the frescoes be examined as if created within the same short temporal span?

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You haven't read the reports closely enough about what is said regarding the building.
This implies that you have read the reports closely: can you share with us their conclusions, and the method used to obtain that conclusion? "About what is said", i.e. written, how do we, today, retain confidence in the analysis of the excavators of Dura Europos? Did they perform spectroscopic analysis of the paint?

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Old 10-03-2010, 12:37 PM   #63
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Quote:
Originally Posted by spin
Christians were inherently metaphorical in their use of images from the Hebrew religion. David has always been a symbol of the line of messianism and thus a precursor to Jesus. The slaying of Goliath here is symbolic and to underline the fact, the image above is of the garden of paradise. Goliath in this context is a representation of the world that christians must overcome, that David has overcome.
Is that what you think about the oft quoted phrase: "seed of David"? The former King of the Jews was only a symbol, not a biological ancestor of Jesus? I am not asking what YOU believe, but what you think the authors of the New Testament were teaching?

I disagree with your analysis. I think your interpretation is quite brilliant, in fact, and not at all wrong. I just don't picture a bunch of illiterate shepherds, farmers, and neer do well's understanding such intricate concepts. Maybe I underestimate the brilliance of those sitting around the campfire, watching out for wolves and thieves, listening to various stories. Your thesis sounds more like something that could have been discussed by a group of scholars sitting around a cocktail table at some conference.....

Maybe that's exactly what the "christians" living in Dura Europos were thinking: Yeah, we are like tiny David, against the huge Persian Army. But, if we overcome them, then we can attain heaven, because there is a scene of agrarian tranquility painted above our forthcoming joust with the Persians. That scene represents Heaven. Although, come to think of it, even if we don't overcome the Persian army tomorrow, we are still going to die, defending the city, for we are outnumbered 100:1.

Does spin's interpretation of D&G imply that failure to conquer the Persian army, condemns the defenders of Dura Europos to eternal damnation? Can they only attain the pearly gates if the military conquest by the Persians is defeated, as was Goliath?

You have not addressed my fundamental point: The "house-church" at Dura Europos was built more than a century prior to its eventual burial in preparation for the unsuccessful defense of the city against the siege by the Persian Army. During that century, why couldn't multiple people have occupied the dwelling, using it for different purposes, and with different ideologies governing their inspiration to paint? Why couldn't D&G represent a painting originally inspired simply to pay homage to one of Judaism's famous stories? Do you mean to imply, spin, that Jews themselves, do not represent David and Goliath, in artistic endeavors? Does the religion itself forbid this artistic pursuit? Why couldn't the "christian" newcomers to the house, if indeed they were "christian", have retained the former decorations, and added some of their own? Why must all of the frescoes be examined as if created within the same short temporal span?
Context. Use it.

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Originally Posted by avi
Who can argue the point, without accurate spectroscopic data, that the paint on the walls, is not of a single year time frame, but rather, spread out over several decades....?
You haven't read the reports closely enough about what is said regarding the building.
This implies that you have read the reports closely: can you share with us their conclusions, and the method used to obtain that conclusion? "About what is said", i.e. written, how do we, today, retain confidence in the analysis of the excavators of Dura Europos? Did they perform spectroscopic analysis of the paint?
My comment wasn't about spectroscopic analysis. It was about you showing you haven't read the literature. I thought you had access to Hopkins.


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Old 10-03-2010, 05:52 PM   #64
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So the question may now become how many Jewish-Hellenistic religions were there. The answers to these questions do not miraculously point to "christianity" as a sole contender.
Name one other than Christianity.
We may expect Judaism at Dura, like at many other places, to be heavily altered by Persian and Hellenistic influences.
In addition to the material furnished by avi, we may add the possible influence of Manichaeanism at that time 3rd century.
The writings of the Manichaeans reveal Mani conducted healings and was surrounded by apostles.

An example of an important advocate of the symbiosis of Jewish theology and Hellenistic thought is Philo.
Philo does not once mention anything to do with "christianity".
The "Good Shepherd" related to Hermes further associates Hellenistic influence.
The "Healing Motifs" of the Greeks showed the healing god Asclepius who was represented by "physician priests" and supported by "therapeutae" (assistants) for the epoch from 500 BCE to 500 CE. We dont need a new testament text to find a healing.

There are many other possible explanations for the evidence.



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What other explanations might be appropriate as a second "guess" other than "It's Christian!!" ?
Don't stop at asking the question. What is your answer?
There are many possible answers which could just as validly explain the evidence in our possession.
I have provides a few sample answers above. Avi has listed a few references to Judaism.
Regional differences within Judaism would no doubt be more pronounced at the border of the Roman and Persian empires.
I would be interested to see evidence of artwork from Persian and Manichaean Judaism from the 3rd century CE,
before I decided that the only possible alternative involved murals of New Testament scenes.

The answer is that the question should remain OPEN.

I am highly skeptical that anyone needs to buy the story of a christian "house-church" in Dura.
We have no evidence otherwise of 1st, 2nd or 3rd century christian churches at Dura, or for that matter at Rome or Alexandria or anywhere in the empire. We have no evidence otherwise of 1st, 2nd or 3rd century christian church-houses at Dura, or for that matter at Rome or Alexandria or anywhere in the empire. And we have no evidence otherwise of 1st, 2nd or 3rd century christian house-churches anywhere in the empire except according to Yale Divinity College, at their "PACKAGED UP" and "RESTORED" deal at Dura.

I am skeptical that Yale has unearthed the presence of "christians" in 3rd century Dura-Europos.

The answer is that, like judges examining the evidence, we can say that the claim to its being CERTAINLY christian is ... "Not proven" ....
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Old 10-03-2010, 07:49 PM   #65
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You can see what Jewish art of the time looked like in the synagogue at Dura Europa.
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Because of the paintings adorning the walls, the synagogue was at first mistaken for a Greek temple. The synagogue contains a forecourt and house of assembly with painted walls depicting people and animals, and a Torah shrine in the western wall facing Jerusalem. . . . The scenes depicted are drawn from the Hebrew Bible and include many narrative scenes, and some single figure "portraits" - 58 scenes in total, probably representing about 60% of the original number. They include the Sacrifice of Isaac and other Genesis stories, Moses receiving the Tablets of the Law, Moses leading the Hebrews out of Egypt, the visions of Ezekiel, and many others. The Hand of God motif is used to represent divine intervention in a scene.
You are not engaged in skepticism, but in pseudo-skepticism. You have decided that Christianity did not exist in the third century, so you dismiss the evidence.
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Old 10-04-2010, 01:40 AM   #66
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You are not engaged in skepticism, but in pseudo-skepticism.
So the arguments above are pseudo-skeptical?
And for this reason you choose to avoid them.
Very convenient.

Quote:
You have decided that Christianity did not exist in the third century, so you dismiss the evidence.
I have examined the evidence, and found it is insufficient to support any certainty that we are dealing with "Christians" at Dura. You and spin might like to trade in the certainties of this evidence, but I maintain my right to be highly skeptical of it, for the reasons I have supplied here and elsewhere.

an index of fraud concerning "christian" history by century

How many citations have been put forward, century by century, as being "certainly Early Christian"? Were they?
How many of these are still out there as "evidence" discussed by New Testament Archaeologists?
How many valid citations to "Early Christianity" are there besides this "Dura" evidence?

FA.
And I am skeptical of it.
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Old 10-04-2010, 07:48 AM   #67
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What arguments have not been addressed?
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Old 10-04-2010, 10:49 AM   #68
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What arguments have not been addressed?
Hi Toto!
umm, how about answering my reply to your question of which alternatives to orthodox christianity existed in the third century, alternatives which could well have superimposed a Jewish heritage onto a schismatic stage.....


I offered three references. Are they inadequate? Do they fail to address your question? Do those references fail to identify competitor religions, other than orthodox, trinitarian Christianity, whose believers could have been occupants of the "house church" of Dura Europos?

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Old 10-04-2010, 11:05 AM   #69
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What arguments have not been addressed?
Hi Toto!
umm, how about answering my reply to your question of which alternatives to orthodox christianity existed in the third century, alternatives which could well have superimposed a Jewish heritage onto a schismatic stage.....


I offered three references. Are they inadequate? Do they fail to address your question? Do those references fail to identify competitor religions, other than orthodox, trinitarian Christianity, whose believers could have been occupants of the "house church" of Dura Europos?

avi
Your first reference was to Ebionites and the Nazarenes. I would consider these groups Christians. How else do you classify them?

Then you say that "early Christianity arose in a wing of apocalyptic Judaism that was also inhabited by later Enochic Judaism, John the Baptist, and the Qumran community." I don't see a competitor religion here, unless you think that this house church was a different sect of Judaism that was not Christianity. But we don't see John the Bpatist or other prophets in the murals.

Then you mention the Bathyrans, Babylonian Jewish immigrants - but as far as I can see, not a separate religion, and they seem to have fallen out of influence before the time of this house church.

So we are left with Christians, or some unknown lost sect of Judaism that used themes virtually identical to Christians.
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Old 10-04-2010, 03:48 PM   #70
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So we are left with Christians, or some unknown lost sect of Judaism that used themes virtually identical to Christians.
Avi may be arguing that we are left with Christians, or some unknown lost sect of Judaism that shared themes virtually identical to those the Christians are conjectured to have used, and that the latter likelihood is far more possible.
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