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09-03-2003, 11:50 AM | #81 |
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What are the main literary sources for ancient paganism, I wonder?
The Golden Bough - A Study in Magic and Religion (1922) By Sir James George Fraser (1854 - 1941) is one good source. It (the short version - it was originally 12 volumes, IIRC) can be found online here. Another source is Joseph Campbell, particularly The Masks of God series, but also The Hero with a Thousand Faces. |
09-03-2003, 12:28 PM | #82 | ||
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I don't have my copy of Freke and Gandy here - do they say that Dionysios was crucified?
The Golden Bough linked above says: Quote:
The other possible link: Quote:
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09-03-2003, 02:08 PM | #83 | |
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Regards, Rick |
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09-03-2003, 02:14 PM | #84 |
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Jewish execution practice was to stone a miscreant and then hang the body from a tree - not exactly the same as the Roman crucifixion. In Acts the Jews are said to have slew Jesus and hung him from a tree.
In any case, Dionysios was "hung from a tree" (in effigy) in the mystery celebrations, which might have been interpreted as crucifixion by a spectator. But the legends that we have do not describe him as having died by crucifixion - it appears that he was torn apart. |
09-03-2003, 03:31 PM | #85 | ||
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Quote:
I would also be interested in knowing why any 'spectator' would have seen these secret rites other than those in the sect. I would also be interested in knowing why it would be in any way acquianted with crucifixion. Dionysus was, after all, the god of fruit trees. Are we to presume that spectators to this secret rite didn't know that? The 'evidence' that followers of Dionysus have anything to do with crucifixion is both lonely and late. And thus, as Bede noted, if we are going to view any causality on the matter, it runs *from* Christianity, not to it. Incidentally, contra seemingly everyone else, I'd reccommend never looking at The Golden Bough again. The utter absence of reference to sources classical or contemporary, can only be described as appalling. Regards, Rick |
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09-03-2003, 03:41 PM | #86 | |
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Incidentally, contra seemingly everyone else, I'd reccommend never looking at The Golden Bough again. The utter absence of reference to sources classical or contemporary, can only be described as appalling.
Umm, read the preface (emphasis mine): Quote:
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09-03-2003, 03:51 PM | #87 |
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For what it is worth. . . .
I had a conversation with a professor on the reliability of Fraser. It so happens that he did his dissertation on Fraser. He had to check through all of the sources and found them valid. Furthermore, according to this professor he "classed" his sources based on the reliability and evidence. Sometimes he did not use a source that would have supported an argument because it was not reliable enough. It is a shame that many of the "popular" current editions of Fraser censor his discussion on the crucifixion. --J.D. |
09-03-2003, 04:01 PM | #88 |
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It is a shame that many of the "popular" current editions of Fraser censor his discussion on the crucifixion.
Interesting. Could you give me some pointers on how to determine if the version I'm currently reading does? (I don't have info on the version at hand, but I can post it later). |
09-03-2003, 04:57 PM | #89 | |
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Regardless of your professor's findings, I have a hard time accepting anything by fiat--I'd need to check for myself. It's interesting that it appears nowhere else o/l. This still doesn't answer my remaining questions--which presumed the accuracy of Frazer--regarding the seemingly grasping connection between Dionysus and crucifixion. Regards, Rick |
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09-03-2003, 10:55 PM | #90 | |
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Re: Freke and Gandy's Sources
Quote:
In my copy, this quote is at page 51, and the first sentence ends with (see plates 4 and 5). Plate 4 is a photo of a "Marble sacrophagus from the second to third centuries CE." The caption reads: 4. A representative of Dionysus is lifted up on a tree during the Spirng festival of the Mysteries. Jesus was likewise said to have been "lifted up on a tree" at Easter time. Often a cross bar was also used so that, like Jesus, the Pagan godman was raised up on a cross. The marble carving shows athletic youths struggling to lift up the Dionysus figure, with a tree in the background. This is apparently in The Art Museum of Princeton University. Plate 5 is a Greek vase c. fifth century BCE. The caption reads 5. Dionysus was represented as bearded, wearing purple robes and a crown, often made of ivy. Jesus is, likewise, portrayed as a bearded man who was dressed in pruple robes and a crown of thorns before his crucifixion. On an altar before Dionysus are loaves of bread and jars of wine which will be used to celebrate the holy communion of the Mysteries, a sacred scarement that Christians inherited and still perform today. The vase shows the Dionysus figure on a pole, very similar in theme to the one in Plate 4, surrounded by women celebrants holding loaves of bread or ladling wine out of jars. So there you have it. And it seems that the secret Mystery rites were not all that secret, if they can show up in artwork. |
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