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Old 12-08-2011, 07:39 PM   #1
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Default Secret Mark and the Long Ending of Mark

What do the rest of you think about Larry Hurtado? Here's what I have to say - he certainly seems to develop the same argument for 'Secret Mark' being a modern forgery that he does later in the same book for the long ending of Mark being an ancient addition. Can someone help me out what I'm not understanding about his point? First Hurtado uses the pastiche argument to demonstrate why Morton Smith had to be the forger of the Letter to Theodore:

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Secret Mark employs phrasing with uncanny resemblances to the canonical Gospels to narrate an incident that looks suspiciously like a novelistic expansion of the Markan narrative [Hurtado Lord Jesus Christ (or via: amazon.co.uk) p. 436]
Then later on he uses another scholar's study of the long ending of Mark to demonstrate that these kinds of 'pastiche' compositions were en vogue. Indeed it is how Hurtado says the ending of Mark was composed at the time of Irenaeus or earlier:

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Most recently, James Kelhoffer's detailed analysis of the "long ending" of Mark shows that this block of material (16:9-20), which represents an attempt to fit Mark with a more "suitable" ending, used elements from the other three canonical Gospels, and these writings only. [p. 585]
So why does the pastiche argument (or cento gospel to use Grant's terminology) 'prove' that the story about the resurrected youth in to Theodore is a modern fake? Please help me out ...
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Old 12-08-2011, 10:21 PM   #2
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Just curious: How many hours of sleep have you lost over this issue?
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Old 12-08-2011, 10:45 PM   #3
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This is NOTHING compared to the amount of time I have spent dealing with Greek, Russian and every other lazy culture that has no conception of timely response to emails, faxes and phone calls. It took me fifty calls over four months to get through to one archive to get started on finding matching handwriting. When I get a moment I have to figure out a way to get funding to digitalize an annex worth of newly discovered documents Tselikas stumbled upon at the Jerusalem Patriarchate. Maybe that will have to be put off for a couple of months.

As I once told a Greek colleague (much to his displeasure) - 'this (i.e. the loss of the manuscript) would NEVER have happened at a German monastery."

There is much more to discuss and this is supposed to be a hobby let's not forget.

It really is just an elaborate mental game I play to keep myself from cheating on my wife Either that or I am planning to take a trip to one of these exotic locales with my mistress and I've just set up an elaborate ruse. Take your pick (although I can't imagine what a stripper would make of the Mar Saba monastery; or the monks of the lady - it might actually be counterproductive now that I think of it)
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Old 12-09-2011, 09:12 AM   #4
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So why does the pastiche argument (or cento gospel to use Grant's terminology) 'prove' that the story about the resurrected youth in to Theodore is a modern fake? Please help me out ...
I cannot critique his argument without reading it in his own words, and I don't have time to do that. I have read a little bit of his work, and he seems competent enough, academically speaking, though with a definite conservative bias.
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Old 12-09-2011, 04:25 PM   #5
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It really is just an elaborate mental game I play to keep myself from cheating on my wife
O thanks, I thought I was the only one.
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Old 12-09-2011, 08:58 PM   #6
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Vork

I think a lot of atheists and even Christian miss this - namely that even as critics we function effectively as religious sages, whether we believe or not. What I mean by this is that while most of us are familiar with the 'church attendee' as the model for religious observance, the various monotheistic traditions all have the 'elite who spend great amounts of time reading scriptures.'

One can make the case that religion itself was made by sages and scribes for sages and scribes. That all the masses of idiots were just useful cattle allowing the sages to examine the scriptures. Why examine the scriptures? To divert one's attention from 'animal life' as such. It's being a moronic animal, asleep through life until death closes the door (and I say this having the deepest love for my dog). But that's what it is about - the text(s) become holy because the texts are not animal life. It's animal life and the avoidance of being a dumb beast that raises the distraction (= the text) to something holy.

I truly wonder if the concept of 'God' is secondary to the value of the text 'diverting the eyes' away from earthly things. This is all religion was really meant to be about. It's what the Muslims aptly call the Jews, Christians and Sabians أهل الكتاب‎ ‎ ′Ahl al-Kitāb.
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Old 12-10-2011, 01:56 AM   #7
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Originally Posted by stephan huller View Post
What do the rest of you think about Larry Hurtado? Here's what I have to say - he certainly seems to develop the same argument for 'Secret Mark' being a modern forgery that he does later in the same book for the long ending of Mark being an ancient addition. Can someone help me out what I'm not understanding about his point? First Hurtado uses the pastiche argument to demonstrate why Morton Smith had to be the forger of the Letter to Theodore:

Quote:
Secret Mark employs phrasing with uncanny resemblances to the canonical Gospels to narrate an incident that looks suspiciously like a novelistic expansion of the Markan narrative [Hurtado Lord Jesus Christ (or via: amazon.co.uk) p. 436]
Then later on he uses another scholar's study of the long ending of Mark to demonstrate that these kinds of 'pastiche' compositions were en vogue. Indeed it is how Hurtado says the ending of Mark was composed at the time of Irenaeus or earlier:

Quote:
Most recently, James Kelhoffer's detailed analysis of the "long ending" of Mark shows that this block of material (16:9-20), which represents an attempt to fit Mark with a more "suitable" ending, used elements from the other three canonical Gospels, and these writings only. [p. 585]
So why does the pastiche argument (or cento gospel to use Grant's terminology) 'prove' that the story about the resurrected youth in to Theodore is a modern fake? Please help me out ...
Hi Stephan

At the time of publication of Lord Jesus Christ Larry Hurtado took the position that Secret Mark was somewhat more likely to be ancient than modern, but it was almost certainly secondary to canonical Mark. Hurtado's support for an ancient Secret Mark was influenced (maybe overinfluenced) by Thomas Talley's speculations about early Alexandrian liturgical practice, see p. 435.

Hence at the time of publication Hurtado dated both additions to Mark in the 2nd century, although he may well have changed his preferred date for Secret Mark since then.

Andrew Criddle
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Old 12-10-2011, 10:39 AM   #8
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Even if the book was published in 2003 and his preface to Gospel Hoax in 2005 the question still stands. He presumably still holds that the longer ending is a pastiche. I doubt that he has stopped viewing the Secret Mark fragment as a pastiche. Watson and Evans reuse the same argument in recent papers. Can't we just agree that anyone who acknowledges the long ending of Mark is a pastiche of other gospel and then turns around and uses a similar pastiche argument to demonstrate to Theodore is a modern forgery is being inconsistent and putting forward a highly subjective criticism?
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Old 12-10-2011, 10:47 AM   #9
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Here is Hurtado making the same Secret Mark is a modern forgery because it is a pastiche of other gospels argument as recently as May of this year:

http://larryhurtado.wordpress.com/20...2/secret-mark/
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Old 12-10-2011, 02:22 PM   #10
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Interestingly Francis Watson, perhaps the critic most associated with the pastiche = modern forgery argument accepts at the same time that the longer ending of Mark was an ancient edition to Mark:

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It is for this reason that the two disciples on the way to Emmaus are represented as not recognizing the traveller who joined them on the road - not because he appeared to them 'in another form' (en hetera morphe), as the longer ending of Mark claims in an attempt to summarize the Lucan narrative (Mark 16.12), but because the conditions were not yet in place within which faith becomes a possibility [Text Church and World p. 290]
and look further at this statement in his Text and Truth:

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My own argument shows that, at least at certain points, the Longer Ending is appropriate to the Gospel of Mark itself.
But that's very curious given the lengths to which Watson argues that the pastiche nature of the addition to chapter 10 of Mark in Theodore is by its very nature proof of forgery:

Quote:
This time I shall focus upon another old argument which Raymond E. Brown dealt with already in the 1970s and since then has been recycled by many, for instance by Per Beskow. As Watson explains it:

“It has often been suggested that Clement’s excerpts from the Secret Gospel are a mere mosaic or collage, drawing from mainly Markan phraseology to create a new narrative loosely related to the Lazarus story.”

While R. E. Brown seems to have taken this to indicate an ancient pastiche forgery, Watson must believe that Morton Smith cut and pasted from mainly the Gospel of Mark in order to create the first Secret Mark passage within the Clement letter.

Watson continues:

“The Secret Gospel passages comprise 14 sense-units (phrases or sentences) distributed evenly throughout the pericope. The Markan and other synoptic parallels have contributed 66 of its 157 words, in sequences of between three and ten words. A minimum of 32 of the remaining words are employed to complete the sense-units in question. That leaves just five sentences out of account, which tell of Jesus’ departure to the tomb; the voice heard from the tomb; Jesus’ entry into the tomb and his stretching out his hand; the departure to the young man’s home; and the night spent together. These sentences are full of synoptic language, but they are not dependent on synoptic word-sequences. … The pericope would seem to be the work of an author determined to pattern his own work on mainly Markan phraseology.”
http://rogerviklund.wordpress.com/20...rancis-watson/

It is entirely possible that the letter to Theodore is an ancient or modern forgery. Yet the fact the fact that the addition referenced therein is a pastiche cannot possibly be argued to be a proof in any sense that the material is forged. Indeed I am curious when the pastiche nature of the long ending was first recognized in scholarship. Was it before or after 1958?
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