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04-03-2005, 01:17 PM | #71 | ||
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In any case, the red stuff on the "wounds" is paint. |
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04-03-2005, 01:25 PM | #72 |
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It may be relevant to the question of authenticity that the weave of the Turin Shroud (a 3:1 herringbone twill) lacks any good linen parallels from the late Antique meditteranean.
Defenders of authenticity IIUC woud argue that there are examples from the late Roman Empire of such weaves being used for other fabrics eg woollen fabrics and hence there would not have been a technological problem in weaving the Turin Shroud at that time. However IMO the absence until much later of good parallels to the Shroud made of the same material does somewhat tell against authenticity. Andrew Criddle |
04-03-2005, 01:50 PM | #73 | |
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I'm also still interested in an answer to my earlier question since you consider this to be "insuperable problem": How do you reach the conclusion that there is no image reversal? Isn't the image reversal in photographs made apparent by comparison with the object photographed? Naked Ape's related question is also interesting to me: Tell me, how does one achieve this universal left-right reversal that you claim, if you are making a contact print? If you lay the 'negative' on the paper (or shroud), how would this reversal happen? |
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04-03-2005, 02:41 PM | #74 | |
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Your second sentence is NOT anything that THEY report. Nor does Avatar either make clear that this doesn't belong to Danin and Baruch or give a source for the statement. I have NO idea what "mottled stains" he is talking about....... |
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04-03-2005, 02:51 PM | #75 | |
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It is a collating of ALL the skeins of evidence: the minute details of Roman execution, the Jerusalem limestone, the floral images(question: how do you/WHY do you manufacture floral images in France of the 1350s when the flowers aren't available AND no one can see those images until the late 20th Century when photography has advanced sufficiently?????), the pollen, etc. It is a collating of those skeins of evidence that makes authenticity the only realistic solution..... |
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04-03-2005, 03:07 PM | #76 | |
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The parallel with the Shroud situation that I see is: people don't understand the low level of science in the time frame the 'Shroud forgery' is posited in: in the 14th to 16th Centuries alchemy was still VERY widely practiced. Yet, those scientific simpletons were going to create a multifaceted bogus artifact that would exhibit BOTH the features of Roman punishment (the wounds imparted by the flagrum: see http://www.bible-history.com/past/flagrum.html ) AND botanical and geological (limestone) elements that would fool LATE 20th Century scientists?????? No way. |
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04-03-2005, 03:45 PM | #77 |
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Argument from Personal Incredulity
20th century scientists aren't fooled - they know it's a fake Pope Clement VII wasn't fooled - he believed it was a fake other burial shrouds were touted in the middle ages as being the 'real' burial cloth - their owners thought it was a fake It was damaged by fire more than once since 1355 - clearly it was not stored in such a way as to prevent contamination whether or not there is pollen on it is questionable, and more questionable how it got there - where is the pollen from it's other travels? even though the samples taken for testing were very carefully selected to avoid repair spots, the claim now that three independent labs came back with closely correlated results is that somehow there was a magic invisible repair. You have no known mechanism whereby a dead body could imprint the cloth and you decry the technology of the 14th century. What about the technology of the second sentury? STURP is so scared of any further negative results that they refuse to allow any testing, even of pieces already separated fromt he main cloth and in other people's hands. |
04-03-2005, 04:25 PM | #78 | ||||||
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Are you deliberately ignoring the questions related to the alleged absence of left-right refersal (an "insuperable problem" according to you) or are you researching answers? |
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04-03-2005, 05:51 PM | #79 | ||
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Vorkosigan |
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04-03-2005, 06:21 PM | #80 | |
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Cheers! |
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