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08-03-2003, 05:55 PM | #11 | |
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08-03-2003, 08:13 PM | #12 | ||
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08-04-2003, 12:32 AM | #13 | |
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08-04-2003, 12:33 AM | #14 | |
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08-04-2003, 12:37 AM | #15 |
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I see I was unclear. They say that "have not released the contents of our confidential evaluation of it that was sent to Mr. Gibson." They are writing as Catholics but there is no indication that the Jewish scholars are at odds with them on strategy.
Where did you find a copy? |
08-04-2003, 09:25 AM | #16 | |
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Do not fret, there was nothing inappropriate about the copy I reviewed or how it was obtained. |
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08-04-2003, 10:19 AM | #17 |
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You keep trying to spin this to put some blame on the scholars. None of them seem to think that they solicited or received a "stolen" copy.
It's just a way of diverting attention from the question of anti-Semitism and the connection between Passion Plays and the pogroms that paved the way for the Holocaust. I think some arguments can be made against Fredriksen's position on the grounds that social conditions are different now, but there has been an upsurge in anti-Semitism in Europe lately. I don't think that the issue is trivial. |
08-04-2003, 10:24 AM | #18 | ||
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[QUOTE]Originally posted by Toto
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08-04-2003, 11:01 AM | #19 |
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No one claims that the film would cause anti-Semitism, only that it would feed into an underlying strain of anti-Semitism that predates Christianity.
Pointing out the historical inaccuracies in the film's sources seems like useful work for theologians. I think that both the Catholic scholars and Fredriksen have dealt with the "stolen manuscript" red herring. |
08-04-2003, 11:53 AM | #20 | |||
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Some seem to think that because they are scholars they were entitled to exploit stolen property. I disagree with that very strongly. |
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