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02-09-2009, 03:47 AM | #31 | |
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I think it's of capital importance to get some idea of what these peoples' lives were actually like, and what religion is about in general in this world, before you can say what they did and wrote and said. We have a clear indication from Paul (presuming him genuine - but if not, why were these passages included?) that the religion was essentially charismatic, involving prophecy, tongues, etc. And actually this is the same sort of thing you see the world over, in almost every religion: it starts off a genuine expression of mystics, visionaries and the mentally troubled, and eventually becomes a merely formal "social glue" with a bit of philosophy attached, with nobody really knowing what they are doing, but going through some sort of "religious" motions. |
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02-09-2009, 04:36 AM | #32 | |
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You mean something like a grand production of holywood in antiquity, with the front row stalls being one group of participants, another group around the emperor's booths way up in the high parts of the amphitheatre? The music playing loudly "On with the Show!", sporadic cheering, jeering or clapping from the audience. A small man, carrying large bags of popcorn and fresh grapes meanders amidst the crowd. The lighting crew manage their rows and banks of torches, throwing brilliant light and/or shadows at dramatic moments onto the stage. Ticket inspectors at the doors make sure that people pay to see the production. Religion was never meant to be free. A number of the higher stalls, reserved for members of the new testament scriptorium, are bristling with scribes and their writing implements, noting any inconsistencies in the theme and plot of the production. Ultimately, they revise the script according to the pleasure of the audience. The emperor's feedback is especially sought out. It's simply wonderful that the common people and the imperial aristocracy can mingle together in a universal expression of religious plays. It binds the empire together. One big audience. One big play. The universal religion, opens at dinner time, with the show starting after desert. A message for everyone. Direct from the stage. No wonder they built basilicas with stained glass windows and impressive frescoes on the roof and walls. Advertising jesus was the greatest public relations exercise in antiquity. How many reruns have there been? The question is of course, as usual, whether jesus was ever marketed before he got on such a stage in front of the entire empire. Where did the original play script come from? And in which century was the production first cast, and enacted? Best wishes, Pete |
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02-09-2009, 04:53 AM | #33 | ||
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The great mystery is in which century this obvious fiction was fabricated and by whom. It certainly was not the first century. Quote:
Best wishes, Pete |
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02-09-2009, 05:14 AM | #34 |
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Pete, it is one suggestion among many. I heard it on radio from a Christian Theologian, I found it interesting as a scenario.
don't you thing it reminds of the ritual plays they did to Mithra but them in secret and we don't even have saved scripts what they said to each other do we? There could be lay groups doing similar plays in less spectacular settings. Street preachers doing healing and preaching on how to live to please god. |
02-09-2009, 05:44 AM | #35 | ||
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It must be winter now in Scandinavia. Christian conjecture is boundless. Somewhere out there in the real world the true history of christian origins is waiting to be discovered. But I dont think it is going to be anything like what the mainstream christians and all their hangers-on have conjectured. Quote:
Best wishes, Pete |
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02-09-2009, 07:10 AM | #36 | |
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There was no "New Testament" circa 100 CE. There was no "word of god" other than the Torah. There was only things like "Memoirs of the Apostles" and such. The idea of canonization didn't come around until Marcion threw together his "New" testament circa 140 and the proto-orthodoxy needed an official "canon" to have as evidence against Marcion. |
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02-09-2009, 03:17 PM | #37 | |
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I agree that there was no clearly defined canon c 100 CE but many of the works that became the NT were already very highly valued. Andrew Criddle |
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