07-24-2009, 11:48 PM
			
			
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			#12
			
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				         Was it Seneca who wrote the tragedy on the passion of Jesus that the evangelists          used in constructing their narratives? A question such as this can never          be answered with certitude. It can be, however, adopted as a working hypothesis,          whose success can be judged by the extent to which it helps solve the          innumerable enigmas of the passion narratives.       Seneca’s          choice of Jesus as a tragic hero may at first seem surprising; but we          must remember that there was a whole gendre of Roman tragedy that dealt          with historical events from the recent past (the so-called fabulae          praetextae). Moreover, Seneca had a lifelong interest in oriental          religions and wrote several books on the subject.[7] That Seneca had received some information about the          founder of Christianity may be inferred from the allusion in one of his          works to an unnamed individual who had aspired to royalty, but instead          was condemned to suffer a cruel death upon the cross.[8]          Seneca encountered, in the trial of Jesus, a subject worthy of his aspirations          as a philosopher and dramatist. His treatment of it was strictly within          the conventions of the ancient theater, since it corresponded point by          point with the original cultic tragedy of Dionysus, which every subsequent          tragedy tried to emulate: 
       -  The hero is defeated in            a struggle.
 
-  He is killed in a sacrificial            ritual.
 
-  A messenger arrives, announcing            his fate, and the chorus responds with its lamentations.
 
-  The body is brought onto            the stage and is buried.
 
-  There follows a recognition            that the hero is not truly dead, but has gained immortality. He appears            to men as a god, and mourning turns into a joyful celebration.[9] 
 
 
			
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