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Old 01-21-2009, 08:08 AM   #231
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Originally Posted by aa5874 View Post
Biographies are of a REAL person's life.
This has been proven to be false, and in terms that a 12-year-old could understand, and yet you go on. Why am I not surprised?

Ben.
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Old 01-21-2009, 08:38 AM   #232
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Originally Posted by aa5874 View Post
Biographies are of a REAL person's life.
This has been proven to be false, and in terms that a 12-year-old could understand, and yet you go on. Why am I not surprised?

Ben.
Total nonsense.

Check your dictionary. There can be no biography of a fictitious character just fiction novels or versions of stories about fictitios characters.

No-one can write a true account of a fictional life.
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Old 01-21-2009, 08:52 AM   #233
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So, I take it that you have no example. You should have just said so.
This is an interestingly perverse and utterly specious way to interpret pointing out that you have already been given what you claim to be interested in reading.

Your desire to remain igorant is clearly quite strong. Certainly stronger than my desire to reduce your igorance.
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Old 01-21-2009, 08:54 AM   #234
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But doesn't Herodotus actually claim to be writing history, ie, 'The Histories'?
Still missing the point.
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Old 01-21-2009, 08:58 AM   #235
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So all Amaleq now has to do is show me where Mark claims to be writing history, or provide an example of an ancient and fantastical work that is taken as history when the author makes no claims, provides no sources, etc, like Mark, that it was intended to be understood as history.
I think you are confusing several different issues (and in several different ways). You seem to be looking for a single text that (A) offers fantastical events, (B) contains no claims of any kind to be writing history, and (C) contains no references to sources.

There are several things to sort out in this search, and the very way in which you frame the search implies to me that you need to do more research on the ancient distinctions. There are ancient biographies, for example, that contain fantastical events, and there are ancient biographies that contain no claims to be writing history (more on that below), and there are ancient biographies that offer no sources. Is there a single text (besides Mark and Matthew) that does all three things at once? Offhand, I am not certain. And, offhand, I do not see how it matters for the genre classification (though it may certainly matter for how seriously we take the work within that genre; not all poems are great poems, not all history is great history, and not all biography is great biography), for the simple reason that nobody supposes that any one of those three things is the sine qua non for any genre.

Let us take the Life of Alexander by Plutarch as an example. (A) Does it contain fantastical events? Indeed it does. In fact, the very first thing said about Alexander is that he was descended from Hercules through his father, who had spied on his wife lying with the god Ammon, who had taken the form of a serpent. (B) Does it lack a claim to be writing history? Yes; better yet, Plutarch explicitly tells us in the prologue that he is not writing history; he is writing biography. This is what leads me to suspect that you have not fully thought out the implications of these ancient genres; you keep talking about history instead of biography. (C) Does it contain references to sources? Yes, it does. Often these sources are anonymous (it is said, we are told, agreed by all). Sometimes particular sources are mentioned (Callisthenes and Cleitarchus, for example).

So is the Life of Alexander a perfect match for, say, the gospel of Mark? Of course not. There are no perfect matches for any of these texts. Each has to be taken on its own merits. And Mark, taken on its own merits, as has been argued before, would have to be classified as biography (or as nothing at all, sui generis, which I think has been aptly deflated). That does not mean it has to be a good biography or an accurate biography; it may be no more historical than the Life of Romulus.

What this means, however, is that your approach is too simplistic. You point to Jesus seeing a vision of the holy spirit and being tempted by Satan in the desert, note how early this vision comes in the text, and then proclaim:

Quote:
Originally Posted by dog-on
Each of these passages appear quite early in their respective gospels.

If they are not an indication of the fictitious nature of the work, I don't know what is....
By these criteria (fantastical event, early in the text) the Life of Alexander is a work of fiction. (You must have added the criteria of historical claim and source material later on in the conversation; nothing of those appears yet at this stage.) Obviously fantastical events early in the text do not make the text a work of fiction.

And notice that you are the one making the claim here. Only later in the debate with Amaleq13 did you start asking him to prove that Mark claimed to be writing history (which is in itself a category mistake, as I have shown). Originally your claim was that (A) fantastical events which (B) come early in the narrative are an indication of fiction. The burden is on you to show that this is so. You need to compare Mark to ancient works written in some genre implying fiction (the novel, perhaps) in order to establish that Mark was buying into that genre by placing a fantastical event early in his narrative.

Ben.
Ben, I have no issue with what you have posted and basically agree, but that isn't what I was debating Amaleq about.

It went from indications, to me, that the authors wrote fiction,

to acknowledgment of the fact that Mark knew whether or not he was writing fiction,

to me asking Amaleq to provide evidence that Mark wants us to think that he was writing history.
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Old 01-21-2009, 09:00 AM   #236
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Not sure if this might help the discussion:

Heroes and Gods: Spiritual Biographies in Antiquity (Religious Perspectives - Volume Thirteen) (Hardcover) by Moses and Smith, Morton Hadas (Author) (or via: amazon.co.uk)
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Old 01-21-2009, 09:05 AM   #237
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Or this

Quote:
Legends of the Plumed Serpent

By Neil Baldwin


Few images hold an active claim on the imaginations of countless generations, but the Plumed Serpent, or Quetzalcoatl, has endured through 5,000 years of Mesoamerican history.

Visualized as part bird and part snake and also in human form, this benevolent god remained a potent symbol of creation from the time of the ancient Olmec to the Mexican revolution. When Hernan Cortes arrived in his "New Spain" in 1519, the Aztec believed he might embody the Plumed Serpent.

Four hundred years later, Quetzatcoatl's image was invoked in the revolutionary art of muralist Diego Rivera. It also took root ten years ago in the fertile imagination of seasoned biographer Neil Baldwin when he toured the archaeological sites of Mexico.

At first simply reacting to the dearth of informative guidebooks, Baldwin resolved to unearth the more profound significance of some of the stone carvings he puzzled over at the ruins of Uxmal and Chichen Itza. As his travels and reading broadened, Baldwin set his sights on the Plumed Serpent -- a myth -- as the subject of his latest biography.

Enlivened with photographs of ancient sites, modern murals, and historical documents throughout, Legends of The Plumed Serpent is an erudite tour of the archaeological treasures of Mexico, an unusual biography of a myth, and a detailed cultural history.

More details

Legends of the Plumed Serpent: Biography of a Mexican God
By Neil Baldwin
Edition: illustrated
Published by PublicAffairs/BBS, 1998
ISBN 1891620037, 9781891620034
205 pages
http://books.google.com/books?id=7pm...m=11&ct=result
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Old 01-21-2009, 09:22 AM   #238
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Ben, I have no issue with what you have posted and basically agree, but that isn't what I was debating Amaleq about.
I do not see how it is possible for you to both agree with Ben's post and maintain the ridiculous position you've been arguing.

Quote:
It went from indications, to me, that the authors wrote fiction,
Alleged indications that were apparently nothing but uninformed speculation since they not only have no basis in actual ancient texts but are plainly contradicted by those texts.

Quote:
to acknowledgment of the fact that Mark knew whether or not he was writing fiction,
But no justification for assuming that he thought everything he wrote was fiction. That leap continues to be terminally flawed.

Quote:
to me asking Amaleq to provide evidence that Mark wants us to think that he was writing history.
And this continues to be a straw man position I have never taken in this discussion and the effort to change the focus of the discussion continues to be a logically flawed attempt to shift the burden.
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Old 01-21-2009, 09:39 AM   #239
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Returning to dog people, there is definitely theatre in them gospels!

Quote:
Mark 1
The beginning of the gospel of Jesus Christ, the Son of God;

As it is written in the prophets, Behold, I send my messenger before thy face, which shall prepare thy way before thee.

The voice of one crying in the wilderness, Prepare ye the way of the Lord, make his paths straight.

John 1

In the beginning was the Word, and the Word was with God, and the Word was God.

He was with God in the beginning.

Through him all things were made; without him nothing was made that has been made.


In him was life, and that life was the light of men.


The light shines in the darkness, but the darkness has not understood


The Tragedy of Macbeth Shakespeare homepage | Macbeth | Entire play ACT I

SCENE I. A desert place.
Thunder and lightning. Enter three Witches
First Witch
When shall we three meet again
In thunder, lightning, or in rain?
Second Witch
When the hurlyburly's done,
When the battle's lost and won.
Third Witch
That will be ere the set of sun.
First Witch
Where the place?
Second Witch
Upon the heath.
Third Witch There to meet with Macbeth.
http://en.wikipedia.org/wiki/The_Gos...Matthew_(film)

Quote:
The Gospel According to St. Matthew (Italian: Il Vangelo secondo Matteo) is a 1964 Italian film directed by Pier Paolo Pasolini.
The dialogue is primarily taken directly from the Gospel, as Pasolini felt that "images could never reach the poetic heights of the text." [1]
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Old 01-21-2009, 10:31 AM   #240
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Amazon have confused the names of the authors!

Quote:
Morton Smith (May 29, 1915 – July 11, 1991) was an American professor of ancient history at Columbia University. He is best known for his discovery of the Mar Saba letter, a letter attributed to Clement of Alexandria containing excerpts from a Secret Gospel of Mark, during a visit to the monastery at Mar Saba in 1958. This letter fragment has had many names, from The Secret Gospel through The Mar Saba Fragment and the Theodoros.[1]
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