Freethought & Rationalism ArchiveThe archives are read only. |
|
|
Thread Tools | Search this Thread |
01-26-2011, 06:22 PM | #81 |
Veteran Member
Join Date: Jun 2010
Location: seattle, wa
Posts: 9,337
|
"Carthago delenda est" (I know it was Cato the Elder but it's still funny to interject it into every conversation, imitating the old man). Sorry. Strange sense of humor I guess
|
01-27-2011, 07:04 AM | #82 | |||||||
Veteran Member
Join Date: Mar 2003
Location: Nazareth
Posts: 2,357
|
JW:
Next on the list: Suetonius, The Life of Julius Caesar Quote:
Quote:
Quote:
Quote:
Quote:
Quote:
Quote:
Joseph ErrancyWiki |
|||||||
01-27-2011, 08:06 PM | #83 | |||||
Veteran Member
Join Date: Jan 2007
Location: Mondcivitan Republic
Posts: 2,550
|
Spoken like an Apologist.
Refer to your announcement of the creation of Holdingloses Law which states that in an argument between Skeptics, if the argument continues sufficiently long, eventually one will compare the other in some way to an Apologist. What goes around comes around. DCH Quote:
|
|||||
01-28-2011, 06:48 AM | #84 | |||
Veteran Member
Join Date: Mar 2003
Location: Nazareth
Posts: 2,357
|
Quote:
I said that? Boy, that is really good. Be sure it makes it into my Biography. Richard A. Burridge Quote:
Not as importantly, Next on the list, Count De Money, er, DEMONAX: Lucian, LIFE OF DEMONAX Quote:
Joseph ErrancyWiki |
|||
01-29-2011, 06:30 AM | #85 | ||
Veteran Member
Join Date: Mar 2003
Location: Nazareth
Posts: 2,357
|
JW:
Next on the list, Apollonius of Tyana: The Life of Apollonius of Tyana, by Philostratus Quote:
Quote:
Joseph ErrancyWiki |
||
02-03-2011, 08:00 PM | #86 | ||||
Veteran Member
Join Date: Mar 2003
Location: Nazareth
Posts: 2,357
|
JW:
I'm interrupting my primary objective in this Thread of identifying parallels between "Mark" and Greek Tragedy (GT) to briefly consider a criteria comparison for the chief competitor to genre for "Mark" in the eyes of Christian Bible scholarship (C BS), Greco-Roman Biography (GRB). Everyone would agree that the primary intent of modern Biography is to present History. I would go beyond this to say that it is also a reaction to perceived fiction by the author to some extent. The author wants to persuade with evidence that the biography presented is history which is correcting existing fiction on the subject. Less agreed is the relationship of GRB to modern Biography. Everyone would again agree that the controls for historical evidence are lesser in GRB. The competing primary objectives are presenting history verses presenting character. The underlying motivation for genre in the context of Polemics is usually evaluating to what extent the genre itself is historical evidence for the writing. A genre of GRB, though not as good as modern Biography due to weakness of controls, is considered better general historical evidence than other genre. In his book, arguing for the Gospels as GRB, What Are The Gospels, Richard Burridge does not clearly articulate what exactly the significance of this conclusion is regarding the Gospels as historical evidence in general. The closest I can find him coming is page 76: Quote:
1) Source 2) Source 3) Source Since the primary significance of GRB here is its weight as historical evidence and that weight is determined primarily by evaluation of sources, sources would be the very best general criterion to use in comparing "Mark" with GRB. Richard Burridge (RB) identifies Source as a criterion and claims a match because he says that GRB and the Gospels both select and edit sources. He is unable though to identify a single source used by "Mark" which he confesses is the source for "Matthew" and "Luke". The main source he than identifies for "Matthew" and "Luke" is "Mark". This is after identifying a large amount of specific sources for his GRB sample. Rather than being a match here, this than is a significant difference between GRB (at least RB's sample) and the Gospels. With GRB it is easy to identify known sources. With the Gospels it is very hard, or to the extent it can be done, RB has not done it. Since Source here is not just a criterion, or just the most important criterion but the key criterion, let's try to rightly divide into sub-criteria. The logical Way to persuade of history would be to IDENTIFY sources. To what extent does the GRB sample identify sources?: 1) Tacitus on Agricola Tacitus was Agricola's son-in-law. First hand witness identification. The best.2) Plutarch on Cato 1 - A preserved speech. First hand.3) Suetonius on Julius Caesar 1 - More First hand witness than all the others here combined.4) Lucian on DEMONAX Lucian was a student of Demonax. First -hand.5) Philostratus on Apollonius of Tyana 1 - Letters and will - First-hand.We can see here than that the GRB sample is clearly identifying sources while "Mark" does not. We would see the same significant difference for other quality sub-criteria for source here such as: 1) Provenance of author 2) Credibility of author 3) Location of author 4) Known Fictional sources Former spokesman for C BS, Raymond Brown, wrote in An Introduction To The New Testament (or via: amazon.co.uk): Quote:
RB categorically dismisses GT as a possible genre (specifically when discussing "John") because in spite of comparisons with 5 divisions, anagnorisis and reversal of fortunes: Quote:
I would hesitate to reject "Mark" as GRB based only on its failure to parallel Source because that is just one criterion and it could still match up well on most other criteria. Here though, the criterion of Source is substance and not form and the key criterion. So I would be inclined to reject "Mark" as GRB solely because of Source. A further expansion of criteria relevant to the underlying issue of historical evidence and not identified by RB would further make the difference between "Mark" and GRB clearer such as: 1) Extent of the Impossible 2) 3rd person 3) Connected narrative 4) Use of fictional sources 5) Style 1) and 4) are outright differences of substance. 2) 3) and 5) are differences of form, but significant in the context of potential historical witness. RB's parallels are generally criteria of form and not significant to potential historical witness. This is the difference between my parallels of "Mark" and GT which generally match as to substance and generally differ as to form and RB's which tend to the inverse. Note Bene Smith - You can often translate what an author is really thinking by what they write at the end. Note that "Mark" ends by saying the disciples told no one. RB ends by saying: Quote:
Joseph ErrancyWiki |
||||
02-12-2011, 02:38 PM | #87 | |
Veteran Member
Join Date: Mar 2003
Location: Nazareth
Posts: 2,357
|
JW:
I've posted my fair and balanced review of Richard Burridge's What the Hell are the Gospels? here: Customer Reviews What Are the Gospels?: A Comparison with Graeco-Roman Biography (Society for New Testament Studies Monograph Series) (or via: amazon.co.uk) Quote:
1) Burridge never clearly states whether he is writing as an Advocate for a genre of Bios or as a Judge. 2) He spends a lot of time going over the history of the issue of Gospel genre and reactions to his assertion of Bios but his review is superficial. 3) He deserves credit for developing a methodology and related criteria which is more than most of his predecessors had. 4) His criteria is based on selecting from previous criteria. The selection is seriously flawed as they are all positive criteria identified to consider possible matches to Bios. No effort is spent on possible Negative criteria to consider possible matches to other genre. 5) He determines a sample to compare the Gospels to based on criteria for identification of Bios. His sample consists of 5 contemporary (to the Gospels) clear examples of Bios. This is the best part of his methodology. The problem here though is that the sample is too small to be conclusive. 6) While making some effort to compare individual Gospels to the sample his conclusions are always based on the Gospels in total. Thus he avoids concluding separately on "Mark" which is the farthest from the sample by far and the most important for purposes of the study. He often claims matches in total and specifically for "Mark" when there are not any and this is the biggest problem with his book. 7) He concludes that the Gospels are Bios, but his own criteria, properly analyzed, shows that most of them do not match. Related to this he makes no effort to weigh criteria relative to each other and when you do, the matching to the sample is more likely to be form (quantitative) and not substance (qualitative). Actually I have faith that if you used Life of Julius Caesar and Oedipus as your sample, than Burridge's criteria applied to "Mark" would parallel better with Oedipus than Life of Julius Caesar. I also present this review as evidence of "Mark" being Greek Tragedy since I've demonstrated that the genre is not Bios. Joseph HISTORIAN, n. A broad-gauge gossip. ErrancyWiki |
|
02-12-2011, 03:48 PM | #88 |
Contributor
Join Date: Jun 2000
Location: Los Angeles area
Posts: 40,549
|
Your review makes some points that need to be made, but I think your format will keep people from realizing its brilliance. (It reads like notes you made to yourself, rather than complete sentences - too much white space, using 'B' to refer to the author. I wonder if you had this in a formatted document and copied it to Amazon, losing the formatting?)
|
02-15-2011, 07:41 AM | #89 | |
Veteran Member
Join Date: Mar 2003
Location: Nazareth
Posts: 2,357
|
Quote:
It is what it is. Burridge spent decades creating it and I ripped him a new testament in a few hours. Being objective takes exponentially less time than Apologetics (I'm not afraid to call a Sephardic a Sephardic). The picture it gives is a University professor grading one of many papers, writing notes as he goes and than giving it back as incomplete in order for it to be redone as opposed to receiving a summary F: 1) His shielding of the original Gospel "Mark" from separate evaluation is dishonest. What related study (other than his previous one) ever lumped writings together to consider genre as a group? 2) It should be obvious now to the Objective that his Methodology is backwards (Apologetics). He selected criteria for matching based on what he thought would parallel between the Synoptics and the Sample. How else to explain that he does not have a single criterion which he concludes does not match? Disgusting. 3) Related to two he has no objectives to determine criteria such as what is distinctive between genre and what is the motivation for the issue of genre in the first place (historical evidence weight). 4) The worst part is even based on his criteria he still has more misses than matches but after superficial discussion consistently claims matches based on 1 or 2 supposed key words. B's credibility is impeached and his conclusions are worthless. No one should refer to him as an authority. The related problem is the sad state of Christian Bible scholarship where he has not received the criticism he deserves. Okay, so I've demonstrated here that no one has proven that "Mark's" genre is Bios. Next I'll compare "Mark" to Life of Julius Caesar and Oedipus using Burridge's criteria to see which would parallel better. By the Way, thanks for the helpful vote (I assume that was from you and not Holding even though I quoted Holding as arguing that "Mark" is Greek Tragedy). Joseph ErrancyWiki |
|
02-16-2011, 07:37 AM | #90 | ||||||
Veteran Member
Join Date: Mar 2003
Location: Nazareth
Posts: 2,357
|
JW:
Continuing the assault on Burridge's What the Hell are the Gospels?, a comparison of "Mark" to Suetonius, The Life of Julius Caesar and Oedipus the King using Burridge's criteria to see which would parallel better: 1 - Opening Features Title - Help identify genre
Prologue - Help identify genre So using Burridge's Opening Features group of criteria "Mark" clearly parallels better with the Greek Tragedy offering here. Joseph ErrancyWiki |
||||||
Thread Tools | Search this Thread |
|