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04-04-2008, 12:47 PM | #51 |
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So the idea is clearly that the Egyptians have four statues of the sun, which mimic the four seasons. It starts as a child, becomes a youth, then a man, then an old man.
This does sound like a possible candidate, if the significance of the 'child' at the winter solstice has been misunderstood by someone in the urge to link it to Jesus. |
04-04-2008, 12:51 PM | #52 |
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Few people have read Macrobius Saturnalia, since it isn't online, even tho a perfectly good translation exists (and is in copyright).
But book 2 is a Roman joke book. I don't know if I've shared this one before, but, hey, why not? Macrobius is a writer of the late 4th century, note. All the best, Roger Pearse |
04-04-2008, 12:57 PM | #53 |
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Ah, the linked thread that Andrew gives actually goes into this already.
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04-04-2008, 02:07 PM | #54 | ||||
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I'm surprised by the results and they are contrary to my expectations but that is certainly insufficient to warrant rejection, IMO. The only concern I would have is the apparently small sample size. Quote:
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04-04-2008, 02:09 PM | #55 | |
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04-04-2008, 02:31 PM | #56 | |
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All the best, Roger Pearse |
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04-04-2008, 02:48 PM | #57 | ||
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Narrative is used in all kinds of contexts, both fictional and historical. To speak the obvious and conclude that the gospels are narratives doesn't realy explain anything that is at issue. |
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04-05-2008, 06:48 AM | #58 | ||
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These are very different forms of narrative. Now which one is closer to the Jesus tales?:devil1: |
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04-05-2008, 09:10 AM | #59 | |
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If you prefer to continue to hold a belief that has been contradicted by a particular study despite apparently lacking any valid reason to doubt it, of course you are free to do so. Interesting to see that this attitude is not restricted to your religious beliefs, though. Must be nice thinking it impossible for you to be wrong |
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04-05-2008, 12:13 PM | #60 | |
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But honestly, If I’m willing to accept that Isis put Osiris back together again, I don’t know why I’d be all that amazed at that he could impregnate her with an oaken poker. It’s the subsequent discussion that caught my eye though. And please let me see if I have this right: in order to get to story parallels you have to ignore the details and generalize so much that ANY parallels can be drawn. Is that it? There’s no middle ground here? Isn’t it possible to find SOME literary borrowing that doesn’t automatically mean story parallelism? And yes, we can say there are universal themes that show up in all kinds of stories. But does the existence of universal themes automatically preclude the existence of deliberate parallels? I remember, in 1979, seeing a movie called “The Legend of the Golden Gun”. Barely two years after “Star Wars” and I watched a T.V. western that sure looked to me like a lot of literary borrowing had occurred. Or maybe it was the expression of universal themes. How do we know, short of an author saying “Yes, I fashioned this story after that story”? What’s the criteria for proving that stories are parallel? Do the similar elements have to be intentional? What if ideas were “borrowed” subconsciously? How do we recognize them when they’ve been repackaged? As my dad used to say “There’s nothing new under the sun”. But he may have borrowed that from somewhere. DQ |
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