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02-11-2006, 08:32 AM | #41 |
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The problem I see in Raglan's work is this. He does see some genuine repeating patterns. Many of these are by-products of adding drama and trying to make the hero larger-than-life. For example, having a hero descended from royalty or descended from gods are a couple ways to make him larger-than-life. Point 6 of Raglan's criteria, "at birth an attempt is made, usually by his father or maternal grandfather, to kill him" suggests court intrigue, which fits right into the royalty motif and adds drama. There are of course other ways of making a birth or infancy "special," such as dedicating him to be a nazirite (a la Samson) or making him precocious. Some patterns are somewhat banal and more related to being a royal than a hero, such as point 12, "marries a princess." Point 15, "prescribes laws" is also not unusual for a royal. A royal marrying a princess is hardly unusual. At least one repeating pattern is simply the natural consequence of being a hero, namely point 11, "a victory over the king and or giant, dragon, or wild beast." Heroes, by virtue of being heroes, can be expected to do derring-do, and fighting beasts is hardly unexpected. Going back to point 12, "getting the girl" is not that unusual for a hero, either. However, he then tries to fit these genuine patterns into an overarching pattern, and here is where problems occur. Some heroes have a throne to lose, some don't. Some prescribe laws, some don't. Some are demigods, while others are mortals. Many are merely leaders rather than royals, and some not even that. In some cases, this is resolved by conceding that a point on the Raglan scale doesn't fit. In other cases, this is resolved by interpreting the points loosely, making "royal virgin," "king," "kingdom," and "marriage" into elastic terms.
I've said this before on the thread, but I don't think anyone got it. The problem with mythicists using Raglan's criteria is that the parts of Jesus' purported life that fit it the best are either tacked on or superposed. The virgin birth establishes Jesus as "special," but it is an obvious legendary development. While Jesus is called a king, his actual activities are those of an itinerant prophet. I would not say though that Jesus's life was embellished and reinterpreted to fit the hero archetype as Raglan saw it, but rather that his life was embellished and reinterpreted to make it a cleaner fit to the messianic pattern--which is a hero pattern of sorts. |
02-11-2006, 10:42 AM | #42 | |
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02-11-2006, 11:24 AM | #43 | |
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02-11-2006, 11:58 AM | #44 | |
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The starting point is a heavenly Christ who becomes flesh, and this pebble in the pond causes all the accretions of virgin birth, itinerant preacher, hero stuff (is there anything actually original? - love your neighbour is from the pentateuch for example). The starting point is the hero - the psychological need to have a saviour. |
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02-11-2006, 12:50 PM | #45 | ||
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02-11-2006, 01:03 PM | #46 | |
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02-11-2006, 03:23 PM | #47 | |
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02-11-2006, 09:35 PM | #48 | |||||
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"Thus it was perfectly all right to argue that Old Testament or Jewish heroes were folkloristic rather than historical. But heaven forbid that a proper member of the British House of Lords should apply this line of reasoning to the life of Jesus! Moses might be folklore but Jesus was history or, to put it another way, Moses was 'false' while Jesus was 'true'."The quote about Raglan avoiding mention of Jesus re Hero Pattern follows a little after this and was from 1958. Raglan wrote a paper "The Hero of Tradition" in 1934 and the book in 1936. Quote:
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"Jesus simply wears too many hats in the gospels - exorcist, healer, king, prophet, sage, rabbi, demigod, and so on. The Jesus Christ of the New Testament is a composite figure. Today's historical Jesus theories agree in recognising that fact, but they part company on the question of which might be the original core, and which the secondary accretions."Exegesis is fine, but the salient point as far as the OP is concerned, is that these characteristics of Jesus exist. I shall take this up with your subsequent post. Quote:
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"the folk repeatedly insist upon making their versions of the lives of heroes follow the lines of a specific series of incidents."The question then becomes; what lies at the supposed historical core? Is it 'magician, revolutionary, Cynic sage, apocalyptic prophet', marginal Jew, etc, or is it time to recognise that this lack of consensus can only be resolved by myth. ------------------------------------- {'part' of above from DJ, pg 16} |
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02-12-2006, 07:54 AM | #49 | ||||||
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02-12-2006, 01:12 PM | #50 |
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One problem IIUC with Raglan's Hero Scale is that Raglan saw Hero Myths as being ultimately about Divine Kingship and the items on his scale tend to be things which can (with some flexibility) be found in many Hero Myths and can (again with some flexibility) be linked to alleged rituals of Divine Kingship.
Hence finding that Jesus Christ, Hercules and Romulus score about the same on Raglan's scale amounts to claiming that they can all equally well be regarded as being about rituals of Divine Kingship. However, without a prior committal to Frazer's ideas and/or the Myth and Ritual school of mythology one may suspect that none of the above are all that strongly related to Divine Kingship rituals and that Raglan's scale obscures the major differences between the Gospel narratives and Classical Mythology. One major difference is the important role played by lurid familly drama in Hero stories in Classical Mythology. Romulus' and Remus' great-uncle tries to kill them as babies and is killed by them later. Romulus then kills his brother Remus. Hercules kills his children by Megara in a fit of insanity and is eventually inadvertently killed by his wife Deianeira. This sort of stuff is IMO a central part of the flavour of the great Classical Hero Myths and there is nothing in the Gospel narratives corresponding to it. Andrew Criddle |
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