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10-20-2008, 09:37 AM | #21 | |
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10-20-2008, 11:01 AM | #22 | ||
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Now do you see what I mean? These two ideas aren’t necessarily competing to explain the same thing. |
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10-20-2008, 11:03 AM | #23 |
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Well then this is all very interesting! Doesn't it suggest that Luke realized (or else he knew his audience realized) that "Ioannes" was not found in the Tanakh that he (or his audience) used? (Or else it is a little dig against the Hasmoneans--"The messiah couldn't be a Hasmonean!" IOW, "Ioannes" might have been a contemporary name for Yohanan, but at least some folk knew you couldn't find it in the canonical scriptures. Thus explaining Lk 1:61.
(I'm also curious why Yonathan ben Uziel is sometimes called Yonosson. Where does Yonosson come from?) |
10-20-2008, 11:20 AM | #24 | ||
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10-20-2008, 11:22 AM | #25 |
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Please note that the Hebrew letter nun never comes out right on this forum. The Hebrew word for gracious can be transliterated XNN. (Not XTN.)
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10-21-2008, 06:09 AM | #26 | ||
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10-21-2008, 06:15 AM | #27 |
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This double nativity story is surely based on similar stories in Genesis/Judges/1 Samuel, and the effect is to recreate something of the "idealistic-mythical" atmosphere that we find with those ancient stories. Those stories are also sparsely told. I suspect the author of these Lukan chapter was using the same sparesness deliberately, and it is a mistake to think that what we read is a truncated version of what "must have been" a more detailed and fully coherent account.
The author tosses out scene after scene, with minimal explanatory and background linkages to create a picturesque narrative flow, so the effect is something of a series of pictures, paintings, in a gallery giving the reader/viewer visions of the sequence, and leaving it to that readers/viewers to fill in the gaps themselves. This is part and parcel of the style of the "mythical-idealistic" tales imitated. How Elisabeth knew remains technically "as mysterious" as the origin of Cain's wife. The effect (if not the "why") is to augment the mythical-Genesis narrative atmosphere, to enhance the impression of God and much else at work and working more deeply behind the scenes that must be left to the audience's imagination. Zechariah can't speak, so the audience is left wondering about communication between him and his wife, and this questioning is only sharpened, not resolved, by Elisabeth's announcement. (Zechariah is not deaf, by the way, since the author immediately has the guests speak to him with an intelligible outcome.) I suspect the author crafted the narrative this way to help build the atmosphere of some mystery and inconclusiveness appropriate for a myth-like tale of idealistic pious characters being tools of divine workings behind the scenes. Neil |
10-21-2008, 06:45 AM | #28 | |||||
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10-21-2008, 07:58 AM | #29 |
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10-21-2008, 08:22 AM | #30 | |
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1:61 seems relatively straightforward: the name was not used by an ancestor. Or not? spin |
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