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04-14-2006, 04:36 PM | #41 | ||
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1. Author A writes: I love a rollicking tale. 2. Author B reads and copies author A, but changes this line to: I love a good story. 3. Author C has both A and B in front of him and gets to decide which version to copy. He settles on: I love a good story. Now authors B and C agree against author A, yet author A wrote first. So how would agreements against an author have anything in the abstract to do with whether or not that author wrote first? The third author can always pick and choose which version he or she likes. Ben. |
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04-15-2006, 06:24 AM | #42 | |||||||||||
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Okay, Stephen, here is my more or less finished reply. I wrote in my last substantive post to you:
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I would be quite happy with my case being plausible, even if I might have to forego it being all the more plausible. Elsewhere Goodacre makes a very similar assessment of plausibility on other grounds (page 47): This is particularly plausible when one notes that Matthew's account is considerably shorter than Mark's: Matthew has overlooked important details in the act of abbreviating.Would you then elevate brevity or abbreviation to the status of criterion? I myself would not. Abbreviation is, as I am reading Goodacre here, merely a plausible reason for the observed fatigue, not its very hallmark. Likewise, IMHO, the redactional observation that you have drawn out is merely a good reason for fatigue, not its hallmark. 2. Quote:
It seems to me that in many of the examples of fatigue in the article the docile reproduction itself is not a reproduction of anything particularly characteristic of the purportedly original author. For example, when Luke in the feeding of the five thousand copies the line from Mark about the place being deserted, I do not tend to regard the desertion of the place as a characteristic Marcan element. It is just what Mark happened to have at that point in his narrative, and Luke, in following the Marcan plotline, copied it. Does this sound right to you? Quote:
(As an aside, I myself would not necessarily even press the later part of it. What if the author copied from his source, then changed something around later and thus ended up conflicting with what he had already copied? The sentence from page 51 of the article: On several occasions, then, an evangelist's faithfulness to his source at one point has apparently led his account into difficulties at other points, might even allow for just such a scenario, since here nothing about earlier or later is implied. Goodacre may merely be varying his wording here, and has not mentioned earlier and later because he has done so before, but I still think the opposite case would be quite possible, even if one wished to assign it a name other than fatigue. All that to say that my idea of fatigue does appear be a bit looser than yours.) Quote:
In the final analysis, it looks to me like this proximity factor is the only standout feature of my case that might cast doubt on its merits; however, I hope to demonstrate that my case has so many other strongly positive reasons going for it as to overwhelm this potential negative. Quote:
Goodacre has several examples of fatigue that begin after the seam, and he does not (nor should he, IMHO) classify them differently than those that began at the seam. His mention of the beginnings of pericopes seems to me to be precisely a way of explaining why the evangelist would be writing more characteristically: ...Matthew and Luke differ from Mark at the beginning of the pericope, at the point where they are writing most characteristically.... This statement presumes that the authors write more characteristically at the seams, a not uncommon synoptic observation, IIRC, but it also seems to presume (to me, at any rate) that writing characteristically is, in fact, the real question in point. The seams are really only a reason for the author to have written more characteristically. That is why several good examples from the article do not involve the seams; the seams, while a highly likely place, are not the only place where an author might write characteristically. Quote:
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In each case where he uses a point that you speak of as a criterion, it looks to me like he is using it as a bonus argument, not in any way as the basis for his original assessment of fatigue. Quote:
And he said to [the second] also: And you are to be over five cities. And the other came, saying: Master, behold your pound, which I kept put away in a kerchief; for I was afraid of you because you are a demanding man. You take up what you did not lay down and reap what you did not sow. He says to him: By your own words I will judge you, you worthless slave. Did you know that I am an exacting man, taking up what I did not lay down and reaping what I did not sow? Then why did you not put the money in the bank, and I would have come and collected it with interest? And [the master] said to the bystanders: Take the pound away from him and give it to the one who has the ten pounds. And they said to him: Master, he has ten pounds already. I tell you that to everyone who has shall it be given, but from the one who does not have it shall be taken away, even what he does have. But these enemies of mine who did not want me to be king over them, bring them here and slay them in my presence.The Lucan redaction here is quite heavy. The most basic instances of editorial fatigue are the mention of the other and the mention of the ten pounds. But both instances feature in situ Lucan redaction: 1. The first instance (the other) is thoroughly Lucan; Matthew at this point retains the one who had received the one talent to match his other two instances. Luke, in other words, did not get it from Matthew; he volunteered it as a redaction of Matthew. 2. The second instance modifies pounds, another Lucan redaction; furthermore, a lot more than what you seem to regard as docile reproduction is going on here, since Luke goes on to repeat his error emphatically in the very next line (he has ten pounds already), a repetition which he again did not take over from Matthew. Luke, IOW, after departing from Matthew and handing out cities instead of cash, is intensely interested in returning to the Matthean plot. IMHO he wishes to justify the saying of verse 26, and that justification requires the Matthean plot device in which something is taken away from the foolish slave. What he is doing here does not look to me like what you are calling docile reproduction, which from your description appears to have to either (A) be nearly verbatim or (B) embrace a characteristic feature of the primary author. Rather, Luke is actively seeking to (paraphrastically) replicate Matthew at the point which will make verse 26 meaningful. Is docile reproduction, then, a misnomer in this case? It may be, but what I want to point out is that I have always been using that term, right or wrong, to describe all copying of the source, even highly paraphrastic replication of the basic storyline, regardless of whether the motive was laziness (true docility) or active interest. Let me pause here for a moment. Let us suppose for the sake of argument that you are correct that my case is not one of fatigue. Even so, I would still regard it as quite a strong indication that Matthew was altering an account that looked much like the Lucan version, whatever label you wish to attach to it. William Farmer, on page 229 of The Synoptic Problem, cites page 198 of Some Principles of Literary Criticism and Their Application to the Synoptic Problem by Ernest De Witt Burton for six ways of determining which text is primary and which is secondary. The first three of these are: 1. Manifest misunderstanding of what stands in one document on the part of the writer of the other. 2. Insertion by one writer of material not in the other, and clearly interrupting the course of thought or symmetry of plan in the other. 3. Clear omission of matter from one document which was in the other, the omission of which destroys the connection. I think that both the Lucan parable of the pounds and the Matthean parable of the wedding feast betray signs of number 2. (I would call that fatigue; would you? Or is that a different sort of thing in your mind?) Call it what you will, you ended post #32 with your judgment that whatever is going on, it is not a case of fatigue. Which of course begs the question: What do you think is going on? Even without the help of Luke 14.16-24 I think the redaction critic would soon notice that the plotline in Matthew 22.2-5, 8a, 9-10 is a central unit to which the subunits in 22.6-7, 8b, 11-14 are quite peripheral and indeed contradictory. I do not know about you, but to me it seems most plain and probable on its face that Matthew had a parable like Matthew 22.2-5, 8a, 9-10 = Luke 14.16-24 before him (at least in his mind or memory) and added parts to it. Furthermore, he stumbled when he left its storyline (the awkward οι λοιποι); he stumbled when he came back to its storyline (the fatal combination of τοτε with the burning city before it and the pending nuptials after it); and he stumbled when he appended an extra bit of storyline at the end (the inexplicability of a single guest dragged in off the street without wedding clothes). If he composed this muddle from scratch, fully intending all along to tell a story about a king both hosting a feast and razing a city, how very convenient that he nevertheless offered Luke a central coherent storyline on a silver platter. Let me put it another way. Imagine that Matthew had more seamlessly written up this parable. Imagine that the stumbles listed above did not exist. It would still be a cinch for a redaction critic to see in this parable three separate storylines. Verses 6-7 would still present a very extreme action and reaction that would still drive the story too far forward in time, and verse 8 or 9 would have to pull it back (even though we are imagining that Matthew would have pulled it back more gracefully). And verses 11-13 would still seem tagged on and quite removable. Verses 2-5 and then 8a, 9-10, however, require each other, and only each other, for completion. So, when we go back to the parable with the Matthean stumbles back firmly in place, and then we notice that the stumbles in fact mark off precisely the plot digression in verses 6-7 and the appendix in verses 11-13, we now have two good reasons to suppose that Matthew was redacting a source (whether hardcopy or in his memory) that lacked both the plot digression and the appendix. Add to that the fact that both Luke and Thomas (saying 64) have just the sort of version of the parable that we are looking for to explain the Matthean muddle, and now we have three good reasons to suppose that Matthew is secondary here. Add another reason from context. We have both noticed how the parable of the tenants appears to be encroaching on the parable of the wedding feast, and we have both noticed that Matthew has set these two parables in close conjunction. But Luke does not. Modifying the one parable to resemble the other (or, conversely, removing the parts of the one that resemble the other) and moving it into conjunction with the other (or, conversely, moving it away from the other) are two separate and independent actions; neither requires the other. It is of course possible that Luke has performed these two independent operations for two independent (sets of) reasons, but is that more probable than Matthew having performed both actions? I think not, because for Matthew it could easily have been the same reason or set of reasons; making the parables resemble one another and then locating them in the same context makes perfect sense, especially given how Matthew likes to string together similar pericopes elsewhere (the parables of the kingdom, for example, in Matthew 13). One more note on what I believe Matthew is doing in 22.8-9. I noted in the parable of the pounds that Luke seems actively interested in returning to his Matthean plotline so that he can get in that good word in 19.26 about having and taking away. I see Matthew doing much the same thing here. Even though his story has now veered off into warfare and vengeance, he seems to me to be actively interested in returning to his Lucan plotline involving the wedding hall finally being filled. Why? Two reasons, I think. First, he knows that verses 2-5 have been left hanging. Will the wedding go on as planned? Will anyone show up? Second, he has to get to the point where he can tag on his appendix about proper wedding attire; to do that he has to redact himself back to the wedding hall. Unfortunately for him, but fortunately for us, he stumbled while doing so, and left us a clue as to what his source might have looked like. Quote:
Point C IMHO has little or nothing to do with fatigue either, as Luke demonstrates for us above in the parable of the pounds. Point D is a matter of perception, apparently; I see the problems in the Matthean parable of the wedding feast as severe enough that I would suspect he was cribbing from a source even if Luke 14.16-24 were not extant. We are left with point B. I admit that my case would be even stronger if the redaction and the ensuing difficulty were more widely separated. But I think my case is strong even so, given the other difficulties in the pericope. Quote:
Sorry to have snowed you under so much here. I tried to keep it short; really I did. Ben. |
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04-18-2006, 10:46 AM | #43 | ||
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YURI:
IMHO the standard 2 Source Theory (2ST), which asserts Markan priority, is refuted by the agreements of Mt and Lk against Mk (the Anti-Markan Agreements). Quote:
But what I'm saying is that, even if we accept the mutual dependence of Matthew and Luke, still Markan priority is highly unlikely. Quote:
Best, Yuri. |
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04-18-2006, 06:23 PM | #44 | |
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05-02-2006, 01:56 PM | #45 | |
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Once you accept that Mt and Lk were not independent of each other, the standard 2ST is already discarded. And so you find yourself in uncharted territory. The likeliest explanation of all these massive Anti-Markan agreements of Mt and Lk is that they're pointing to the oldest Synoptic text. The agreements of Lk and Mk (against Mt) also seem to point to a very old Synoptic text. Once you abandon the 2ST but still want to retain the Markan priority, you'll need to argue for it specifically. You cannot just assume it by default. But each single passage needs to be considered on its own merits, of course. All these generalities just don't help us that much. Sometimes the oldest Synoptic text is just preserved by one gospel, or by none at all. Often enough it can be found only in the patristic citations or in the Diatessarons. All the best, Yuri. |
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05-02-2006, 03:19 PM | #46 | ||||
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