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Old 02-03-2013, 09:48 PM   #21
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I was making a personal admission and then the rest of the post goes on to demonstrate that there is more to the 'mythical gospel narrative' than that.
yes, but like so many of your posts it contains a gratuitous, ignorant insult towards mythicists. Whatever for? Why not go directly to the main thesis of your post?

BTW, there's a whole strain of mythicism that is concerned with reforming Christianity, not with extinguishing it, or with alternative Christianities.

If you want people to listen to you, why insult them?
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Old 02-03-2013, 09:54 PM   #22
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Didn't Miles Davis play with his back to the audience? He did when I saw him. Why'd he do that? My guess is that it was to say - I'm not like those people, those people who have to please an audience. Something like that I guess, probably misguided.

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Old 02-03-2013, 10:10 PM   #23
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And I hate being part of a club. I hate being seen as 'arguing for something' trying to prove something to be true.
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Old 02-03-2013, 11:57 PM   #24
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In any event back to the thread. I am not sure if people are aware of it or not but the linguistic trail with regards to the names Horaia/Norea is very confusing. As noted Oraia means 'beautiful' and there is a Hebrew tradition which Stroumsa and others have noted which lends weight to 'beautiful' being the original term. But I don't buy it. I think she was called something like Norea or Nahiyra. It is also worth noting that Hora in Aramaic means 'mother.' Here is an article on the subject http://www.haverford.edu/relg/course...AM%20Norea.pdf

Again the basic framework is that Jesus was supernatural and I think Mary was supernatural. She was the eternal feminine being from the beginning thus making the gospel narrative entirely mythical.
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Old 02-04-2013, 12:01 AM   #25
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The Canticle of Mar Jacob is another such reflection of the original mythical narrative:

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Edessa sent to Christ by an epistle to come to her and enlighten her. On behalf of all the peoples did she make intercession to Him that He would leave Zion, which hated Him, and come to the peoples, who loved Him.

She dispatched a messenger to Him, and begged of Him to enter into friendship with her. By the righteous king she made intercession to Him, that He would depart from the Jewish people, and towards the other peoples direct His burden.

From among all kings one wise king did the daughter of the peoples find. Ambassador she made him. To her Lord she sent by him: Come unto me; I will forget in You all idols and carved images.

The harlot heard the report of Him from afar, as she was standing in the street, going astray with idols, playing the wench with carved images. She loved, she much desired Him, when He was far away, and begged Him to admit her into His chamber.

Let the much-desired Bridegroom kiss me: with the kisses of His mouth let me be blessed. I have heard of Him from afar: may I see Him near; and may I place my lips upon His, and be delighted by seeing Him with my eyes.

Your breasts are better to me than wine: for the fragrance of Your sweetness is life for evermore. With Your milk shall I be nourished; with Your fragrance shall I grow sweet from the smoke of idols, which with its rank odour did make me fetid.

Draw me after You into Your fold: for I am a sheep gone astray in the world. After You do I run, and Your converse do I seek: that in me may be completed that number of a hundred, by means of a lost one which is found.
Let Gabriel rejoice and be exceeding glad, with the company of all the angels, in You, the Good Shepherd, who on Your shoulders carried the maimed sheep, that that number of a hundred might be preserved.

Your love is better than wine; than the face of the upright Your affection. By wine let us be reminded of You, how by the cup of Your blood You granted us to obtain new life, and the upright did celebrate Your love.

A church am I from among the peoples, and I have loved the Only-begotten who was sent by God: whereas His betrothed hated Him, I have loved Him; and by the hands of Abgar the Black do I beseech Him to come to me and visit me.

Black am I, yet comely. You daughters of Zion, blameless is your envy, seeing that the Son of the Glorious One has espoused me, to bring me into His chamber. Even when I was hateful, He loved me, for He is able to make me fairer than water.

Black was I in sins, but I am comely: for I have repented and turned me. I have put away in baptism that hateful hue, for He has washed me in His innocent blood who is the Saviour of all creatures.

Here end the Extracts from the Canticle on Edessa.
Notice the word 'enlighten' at the beginning of the narrative. That's the Samaritan woman's name.
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Old 02-04-2013, 08:28 AM   #26
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Another interesting corollary of the re-establishment of the Samaritan woman as a hypostasis is that Christianity really isn't as 'friendly to women' as is sometimes pretended. In other words, 'the woman' is not a woman at all but a mythical being. It isn't at all shocking that Jesus 'would be talking to a woman' because she isn't a woman. There is nothing 'progressive' in the act of communication. If anything the narrative seems misogynist and in keeping with the misogyny of the age.

It would also stand to reason that the ending of the woman's period is symbolic as well - something akin to the statement found in Clement's recounting of the Gospel according to the Egyptians (= 'destroy the works of the female'). When you make the switch from literal interpretation of the narrative to an entirely figurative one the Alexandrian exegesis (= Julius Cassian, Clement, Origen etc) doesn't seem as out of place.
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Old 02-04-2013, 10:43 AM   #27
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Didn't Miles Davis play with his back to the audience? He did when I saw him. Why'd he do that? My guess is that it was to say - I'm not like those people, those people who have to please an audience. Something like that I guess, probably misguided.
"I turn my back because I play better," Davis says. "Some notes you get better in a specific spot on the stage. If I play a high note, and don't hear it, I'll move."
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Old 02-04-2013, 12:11 PM   #28
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Another indication that 'the Samaritan woman' is a pre-existent Hebrew feminine hypostasis is her association with 'the well' - in this case the well of Jacob. The legend of Miriam travelling with a well to feed the Israelites is well established in the literature:

http://www.jpost.com/JewishWorld/Jud...aspx?id=140016
http://www.miriamscup.com/miriamswell.htm

My thinking is that 'Mary' is Miriam and that there may be some correlation with the Therapeutai and their interest in Miriam.
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